A profile of the Hippest band of the 60's and 70's as they prepare for a reunion gig.
A baby dragon and a little bird fail to make beautiful music together.
Matthew Bourne choreographs this performance of Tchaikovsky's ballet, filmed live in London. The show, the longest running ballet on both Broadway and the West End, follows the story of Prince Siegfried, who promises his love to swan maiden Odette, only to be tricked by magician Von Rothbart. The stars include Richard Winsor, Dominic North, Nina Goldman, Madelaine Brennan, Steve Kirkham and Joseph Vaughan.
Bosko is a Mountie in the cold, snowy north. His sergeant demands that he get his man: a peg-legged villain wanted dead or alive.
Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.
A fiendish conductor takes over a school band. She eliminates five musicians who then form their own ensemble. With the help of their former conductor, the new band enters The Norwegian Championship against their old band.
On June 4, 1981 Prince staged a concert at Théâtre Le Palace in the City Of Lights. The show featured seven of the eight songs that appeared on the 1980 LP Dirty Mind as well as a few off his 1979 self-titled LP. The lineup in Paris included André Cymone on bass, Dez Dickerson on guitar, Bobby Z on drums and Doctor Fink and Lisa Coleman on keyboards, as well as Prince, in various stages of undress, playing guitar and handling lead vocals.
Mariachi with dual vocalists is broken up by a promoter who wants one of them as a solo act.
Just after Carson's gang murder members of a wagon train, Rusty and Clem come along and are arrested. Knowing they are innocent Judge Coleman breaks them out and sends them after Carson. They join Carson's gang to learn of their next raid but the Marshal arrests them for the wagon train murders.
In the 1990s, due to an enormous amount of independent bands in activity, the great public present at the shows, and of course, in its geography, in the city of Santos earned the nickname “California Brazilian ”. Approved by one, recovered by others, the fact is that the nickname captured and the importance of the local scene in this history and undeniable. In a decade, an island - yes, Santos is on an island - exported names like Garage Fuzz, Safari Hamburguers, White Frogs and much, much more. And it matters in real time as the main trends of American hardcore and punk, reaching the point of such styles playing the city's young music in the mid-1990s, all of this coupled with a lot of surfing and skateboarding, of course. This doc deals only with this period and phenomenon, showing Brazil as stories and peculiarities of the local scene under the vision and direction of directors Rodiney Assunção and Wladimyr Cruz (“Woodstock - More than a store”, “A new wave of ").
Rolando, a millionare, travels to a remote island and meets the young and tough Tania, a local woman with great dancing skills. He falls in love with her and takes the girl to Mexico, but their relationship gets awry when Tania cheats on him with another man.
An account of the successful life and work of Spanish singer and actor Camilo Sesto (1946-2019), the portentous, almost miraculous, voice of Spanish pop music for decades, through his own point of view, told during his last interview and in many others, and through the words of those creators whose own work has been strongly influenced both by his art and his magnetic personality.
This film, promoted in Germany by Bravo Magazine to exploit the breakdance craze, actually featured very little breakdancing other than some (presumably second unit) footage of the notorious breakdancer, Mr. Robot.
Discover the roots of reggaeton supergroup Wisin and Yandel in this compelling tale of two men with a musical dream. Featuring a soundtrack that includes some of their best hits such as "Dembow", "Pégate", and "Esta Noche Hay Pelea", this presentation will help fans old and new understand the passion that has brought this duo from obscurity to the heights of fame.
Echoing "An American Pageant for the Arts," the 1962 event conducted by Leonard Bernstein, this special celebration and re-launch of live, in-person performing arts in America will be hosted by six-time Tony Award® winner Audra McDonald with special guest Caroline Kennedy and feature the National Symphony Orchestra (NSO).
Romance - with its ruptures and reunions - between a girl and a boy who want to succeed with the tango.
The film tells a story about the latest musical revolution in recent history – the early days of the rave scene and the golden age of techno culture. International political changes in the mid-80s and early 90s, including the fall of the Berlin Wall and the collapse of the Soviet Union, in a short period of time allowed this cultural phenomenon to become a mass movement which was almost completely independent from the global corporations and which did not fight with the system but created its own system.
Bellini's radiant retelling of Shakespeare's Romeo and Juliet is a beacon in the bel canto tradition. San Francisco Opera's co-production features two of the greatest voices in bel canto together for the first time: mezzo Joyce DiDonato and soprano Nicole Cabell. Their compelling duet is one of the finest marriages between two voices in many, many years. The production, directed by Vincent Broussard and featuring costumes by Christian Lecroix, is captured in brilliant HD.
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